Showing posts with label Career. Show all posts
Showing posts with label Career. Show all posts

Friday, August 28, 2015

Tips To Building A Career In Music

Being a music artiste is a career just like every other career out there. It’s the same as being banker, lawyer, an engineer, civil servant, etc.  It requires a lot of hard work, time, calculation, sacrifices and expenses.
Here are a couple of tips for those who intend building a career as artistes in the music industry.

*Some artistes coming into the industry think getting signed to a record label is the ultimate to becoming popular and making money. This is a very wrong way of thinking because some record labels will in fact derail you and make a mess out of your career. Take Olamide and Skales for example, Olamide became a success as an independent artiste while Skales was stuck when he was with his former label.
Every artiste should have a solid manager, strive to build a strong fan base, have a good working relationship with OAPs and Djs. Make good music, earn money and be able to bring their own terms to negotiations when any record labels comes calling.

Thursday, October 30, 2014

The Mob's Take...Musings Of A Failed Manager

“It’s not the size of the dog in the fight, it’s the size of the fight in the dog.”

The above, time-honoured, statement by the celebrated American writer Mark Twain, continues to ring true a century after he first expressed it. In fact, it is a Truth that pre-dates the man himself. However, the immutable wisdom in that quote seems to be lost on the current generation of artiste managers in Nigeria. In recent times, the artiste management fold has shown unmistakable signs of  acute incompetence, indolence, and a dearth in creative ideas, which has stunted, and in some cases aborted, the progress of many talented artistes. This sorry state of affairs has further perpetuated the stereotype that certain kinds of Talent or Music cannot ‘blow’ in Nigeria. These days when someone declares that they are a rapper or a soul singer, inadvertently, people start to feel some kind of condescending pity for them that is conveyed via that cold, How-could-you-do-this-to-yourself-look that seems to trail them everywhere. And soon enough, the artiste gets tired of this pariah status, and decides to “diversify,” to switch sides, to dumb the music down.

It’s the job of the manager to say, “hey, I fell in love with you because of this art form and I am convinced that Greatness resides in you and I can’t wait for the world to hear your thoughts and words because they will eventually love it. Now you are going to go back into that studio and make me the most fantastic rap music your heart can muster or go and sing me some great soul music, the type that is alien to the world and leave it to me to deliver your message!” This is what it should be! The Manager should be the artiste’s most loyal believer and an unshakable pillar of support in times of self-doubt.